The work of the life of Flaubert marks a step in the history of the novel.
He was a prose author of the first rank; for several years indeed no one stood higher than Flaubert in France. His strength as a prosaist reposed upon an artistic and literary conscientiousness, which was exalted almost to the dignity of genius. He became a great artist because he was unsparing in his efforts, both when he was making preparations to write and when he was engaged in writing; he collected the results of his observations, facts, and illustrations, with the painstaking of a mere savant, while striving, with the passionate eagerness of a mere adorer of form, to fashion his materials in a plastic and harmonious manner. He became a master of modern fiction because he was sufficiently self-denying to be willing to represent real psychological events alone, and to shun all effects of poetic eloquence, all pathetic or dramatic situations which appeared beautiful or interesting at the expense of the truth. His name is synonymous with artistic earnestness and literary rigor.
