The Last Innocents by Michael Leahy

The Last Innocents

By

  • Genre Baseball
  • Publisher HarperCollins
  • Released
  • Size 1.70 MB
  • Length 361 Pages

Description

Casey Award Winner: “Follows seven Dodgers, including Sandy Koufax, through the 1960s, telling a story about baseball and about larger cultural changes.” —The New York Times Book Review

Winner, Casey Award for Best Baseball Book of the Year

Finalist, PEN/ESPN Award for Literary Sports Writing

Maury Wills, Sandy Koufax, Wes Parker, Jeff Torborg, Dick Tracewski, and Tommy Davis encapsulated 1960s America: white and black, Jewish and Christian, wealthy and working class, pro-Vietnam and anti-war, golden boy and seasoned veteran. The Last Innocents is a thoughtful, technicolor portrait of these seven Los Angeles Dodgers—friends, mentors, confidants, rivals, and allies—and their storied team that offers an intriguing look at a sport and a nation in transition. Bringing into focus the high drama of their World Series appearances from 1962 to 1972 and their pivotal games, Michael Leahy explores these men’s interpersonal relationships and illuminates the triumphs, agonies, and challenges each faced individually and as a team.

Increasingly frustrated over a lack of real bargaining power and an oppressive management who meddled in their personal affairs, the players shared an uneasy relationship with the team’s front office. This contention mirrored the discord and uncertainty generated by changes rocking the nation: the civil rights movement, political assassinations, and growing hostility to the escalation of the Vietnam War. While the nation around them changed, these players each experienced a personal and professional metamorphosis that would alter public perceptions and their own. Comprehensive and artfully crafted, The Last Innocents is an evocative and riveting portrait of a pivotal era in baseball and modern America

“A great American story.” —David Maraniss, Pulitzer Prize–winning and New York Times–bestselling author of Clemente

“A gripping narrative.” —Publishers Weekly

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