Art as an Asset in the 21st Century objectively describes the bedrock institutions within the global art sector, including now-institutionalized suppositions and biases that lack modern evidence and empirical support but remain central to the underlying belief structure.
To shape his articulated analysis and coin his conclusions, the author uses a broad range of know-how, information, and analytic tools enhanced and supplemented by 20 years of data collection, polling, and anecdotes from the highest level of access.
This work deconstructs what actually exists, blueprinting a near-total rebuilding that maintains the centrality of and reverence for the individual work of art while connoisseurs collaborate every day with mathematicians and data scientists.
