Let’s Go To The Movies by Billy McCue

Let’s Go To The Movies

By

  • Genre Film
  • Released
  • Size 1.15 GB

Description

The history of film as an artistic medium chronicles the development of a visual art form created using film technologies that began in the late 19th century.
Although the advent of film as an artistic medium is not clearly defined, the commercial, public screening of ten of the Lumière brothers' short films in Paris on 28 December 1895 can be regarded as the breakthrough of projected cinematographic motion pictures. There had been earlier cinematographic results and screenings by others like the Skladanowsky brothers, who used their self-made Bioscop to display the first moving picture show to a paying audience on 1 November 1895 in Berlin, but they lacked either the quality, financial backing, stamina or the luck to find the momentum that propelled the cinématographe Lumière into a worldwide success.
Soon film production companies and studios were established all over the world. The first decade of motion picture saw film moving from a novelty to an established mass entertainment industry. The earliest films were in black and white, under a minute long, without recorded sound and consisted of a single shot from a steady camera.
Conventions toward a general cinematic language developed over the years with editing, camera movements and other cinematic techniques contributing specific roles in the narrative of films.
Special effects became a feature in movies since the late 1890s, popularized by Georges Méliès' fantasy films. Many effects were impossible or impractical to perform in theater plays and thus added more magic to the experience of movies.
Technical improvements added length (reaching 60 minutes for a feature film in 1906), synchronized sound recording (mainstream since the end of the 1920s), color (mainstream since the 1930s) and 3D (temporarily popular in the early 1950s and mainstream since the 2000s). Sound ended the necessity of interruptions of title cards, revolutionized the narrative possibilities for filmmakers, and became an integral part of moviemaking.

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