To be weak', we need not the great archangel's voice to tell us', is to be miserable'. All weakness is suffering and humiliation, no matter for its mode or its subject. Beyond all other weakness, therefore, and by a sad prerogative, as more miserable than what is most miserable in all, that capital weakness of man which regards the tenure of his enjoyments and his power to protect, even for a moment, the crown of flowers—flowers, at the best, how frail and few!—which sometimes settles upon his haughty brow. There is no end, there never will be an end, of the lamentations which ascend from earth and the rebellious heart of her children, upon this huge opprobrium of human pride—the everlasting mutabilities of all which man can grasp by his power or by his aspirations, the fragility of all which he inherits, and the hollowness visible amid the very raptures of enjoyment to every eye which looks for a moment underneath the draperies of the shadowy present, the hollowness, the blank treachery of hollowness, upon which all the pomps and vanities of life ultimately repose. This trite but unwearying theme, this impassioned common-place of humanity, is the subject in every age of variation without end, from the poet, the rhetorician, the fabulist, the moralist, the divine, and the philosopher.
