Award-winning author ReShonda Tate Billingsley delivers a poignant, page-turning novel about the power—and fragility—of family, personal identity, and the choices we are called on to make . . .
Raised by a widowed mother, Jill Reed has come a long way from her difficult youth. But while she may not have had money, Jill never doubted she was rich in love. Her mother, Connie, made Jill the center of her world. Now, even though she has a young family of her own, it’s Jill’s turn to care for her ailing mother.
When early dementia begins to set in, Connie starts talking about Jill’s “other life.” Jill assumes it’s just rambling confusion. Still, Connie’s stories about Jill’s childhood, and her father’s early death, never quite added up. And when a strange man shows up to Jill’s job bearing news that turns Jill’s life upside down, there’s no denying Connie’s devastating secret.
As Jill sets out to learn more about her past, she’s stunned by what she learns and what it will mean for her future. Now, she must decide what price she’s willing to pay to claim the life that’s rightfully hers.
Praise for ReShonda Tate Billingsley’s novels
"Filled with a blend of dramatic and compelling details." - Woman's World on The Stolen Daughter
“Billingsley's engaging voice will keep readers turning the pages and savoring each scandalous revelation.” —Publishers Weekly,STARRED REVIEW for A Good Man is Hard to Find
“Billingsley’s novel will keep readers guessing until the last page.” —Booklist on Seeking Sarah
“Faith-based fiction doesn't get better than Billingsley's entertaining soaps, notable for their humor, wonderful characters and challenging life situations that many readers, Christian or not, can identify with. Her latest dramedy scores a direct hit on the ever-popular subjects of love, marriage and divorce.” —Publishers Weekly on Can I Get a Witness
“This sequel to Billingsley’s heralded #1 national bestselling debut My Brother’s Keeper tells the stunning story of a wife and mother who embarks on a daring rescue mission—to rescue herself.” —Culture Dispatch on More to Life
