The most powerful and the most perfect expression of thought and feeling through the medium of oral language must be traced to the mastery of words. Nothing is better suited to lead speakers and readers of English into an easy control of this language than the command of the phrase that perfectly expresses the thought. Every speaker's aim is to be heard and understood. A clear, crisp articulation holds an audience as by the spell of some irresistible power. The choice word, the correct phrase, are instruments that may reach the heart, and awake the soul if they fall upon the ear in melodious cadence; but if the utterance be harsh and discordant they fail to interest, fall upon deaf ears, and are as barren as seed sown on fallow ground. In language, nothing conduces so emphatically to the harmony of sounds as perfect phrasing—that is, the emphasizing of the relation of clause to clause, and of sentence to sentence by the systematic grouping of words. The phrase consists usually of a few words which denote a single idea that forms a separate part of a sentence. In this respect it differs from the clause, which is a short sentence that forms a distinct part of a composition, paragraph, or discourse. Correct phrasing is regulated by rests, such rests as do not break the continuity of a thought or the progress of the sense.
Grenville Kleiser, who has devoted years of his diligent life to imparting the art of correct expression in speech and writing, has provided many aids for those who would know not merely what to say, but how to say it. He has taught also what the great HOLMES taught, that language is a temple in which the human soul is enshrined, and that it grows out of life—out of its joys and its sorrows, its burdens and its necessities. To him, as well as to the writer, the deep strong voice of man and the low sweet voice of woman are never heard at finer advantage than in the earnest but mellow tones of familiar speech. In the present volume Mr.
