Becoming Dragon: The Transcendence of the Damaged Child in the Fiction of Ursula K. Le Guin. by Extrapolation

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Asimov's Foundation Trilogy: From the Fall of Rome to the Rise of Cowboy Heroes.

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Delany Dispossessed (Samuel Delany on Ursula Le Guin's "the Dispossessed")

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Clifford Simak's City (1952): the Dogs' Critique (And Others').

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He "Just Plain Liked Guns": Robert A. Heinlein and the "Older Orthodoxy" of an Armed Citizenry (Critical Essay)

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Between Visibility and Invisibility: Baudrillard, Jean-Luc Marion, And Lance Olsen's Girl Imagined by Chance.

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The Monomyth in Gene Wolfe's the Book of the New Sun.

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Lover Revamped: Sexualities and Romance in the Black Dagger Brotherhood and Slash Fan Fiction.

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The Measure of a Man? Asimov's Bicentennial Man, Star Trek's Data, And Being Human.

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Earth Abides: A Return to Origins (Critical Essay)

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Iain M. Banks, Postmodernism and the Gulf War (Critical Essay)

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Spelunking with Ray Bradbury: The Allegory of the Cave in Fahrenheit 451 (Critical Essay)

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Heinlein and the Cold War: Epistemology and Politics in the Puppet Masters and Double Star (Robert A. Heinlein) (Critical Essay)

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Deep Space and Deep Ecology: Biocentric Justifications for Violence and Population Control in the Science Fiction of L. E, Modesitt, Jr (Critical Essay)

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The Utopian Function of Memory in Lois Lowry's the Giver (Critical Essay)

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Invasion of the Body Snatchers: Gender and Sexuality in Four Film Adaptations.

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"the Monkey's Paw" and Freud's Three Caskets Theme (Sigmund Freud's Essay "the Theme of the Three Caskets") (Critical Essay)

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Having It All: The Female Hero's Quest for Love and Power in Patricia Mckillip's Riddle-Master Trilogy.

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The Mother of All Witches: Baba Yaga and Brume in Patricia Mckillip's in the Forests of Serre.

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Revolutions from the Waist Downwards: Desire As Rebellion in Yevgeny Zamyatin's We, George Orwell's 1984, and Aldous Huxley's Brave New World (Critical Essay)

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Institutional Crisis: State and Scholar in Hermann Hesse's the Glass Bead Game and Walter Miller's A Canticle for Leibowitz (Critical Essay)

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Old World, New World, Otherworld: Celtic and Native American Influences in Charles De Lint's Moonheart and Forests of the Heart.

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The Relationship Between Community and Subjectivity in Octavia E. Butler's Parable of the Sower.

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"I Am a Leaf on the Wind": Cultural Trauma and Mobility in Joss Whedon's Firefly.

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Fantastic Psychology and Mechanical Allegory in the Invention of Morel.

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Survival in Margaret Atwood's Novel Oryx and Crake (Critical Essay)

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"the Girl Isn't White": New Racial Dimensions in Octavia Butler's Survivor (Critical Essay)

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Ursula K. Le Guin and Translation.

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Batman and Robin in the Nude, Or Class and Its Exceptions.

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Destabilizing Order, Challenging History: Octavia Butler, Deleuze and Guattari, And Affective Beginnings.

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Redefining Women's Power Through Feminist Science Fiction.

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The Disorientations of A.E. Van Vogt (Critical Essay)

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Battlestar Galactica and the Quest for Understanding

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Technicity: Al and Cyborg Ethnicity in the Matrix (Critical Essay)

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Fractal Fantasies of Transformation: William Blake, Michael Moorcock, And the Utilities of Mythographic Shamanism (Critical Essay)

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From Technology to Transcendence: Humanity's Evolutionary Journey in 2001: A Space Odyssey (Critical Essay)

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Virility and Vulnerability, Splitting and Masculinity in Fight Club: A Tale of Contemporary Male Identity Issues (Critical Essay)

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CGI: a Future History of Assimilation in Mainstream Science Fiction Film (Computer Generated Images ) (Critical Essay)

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On U. K. Le Guin's "Second Earthsea Trilogy" and Its Cognitions: A Commentary (Ursula K. Le Guin) (Critical Essay)

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The True Knowledge of Ken Macleod (Book Review)

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Totemic Human-Animal Relationships in Recent Sf (Science Fiction) (Critical Essay)

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Becoming and Belonging: The Productivity of Pleasures and Desires in Octavia Butler's Xenogenesis Trilogy (Critical Essay)

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The Problem of Materiality in Paolo Bacigalupi's "the People of Sand and Slag".

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Who Goes There? "Real" Men Only.

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Becoming Dragon: The Transcendence of the Damaged Child in the Fiction of Ursula K. Le Guin.

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Big Dumb Objects in Science Fiction: Sublimity, Banality, And Modernity.

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From Videodrome to Virtual Light: David Cronenberg and William Gibson.

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A Woman-Made Language: Suzette Haden Elgin's Laadan and the Native Tongue Trilogy As Thought Experiment in Feminist Linguistics (Critical Essay)

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Periodizing the Postmodern: China Mieville's Perdido Street Station and the Dynamics of Radical Fantasy (Report)

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Hoaxing Hemingway: Ernest Hemingway As Character and Presence in Joe Haldeman's the Hemingway Hoax (1990) (Critical Essay)

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Medieval Fictional Odysseys: Better Time Travel Through Hallucinogens, Nets, And Quantum Foam (Critical Essay)

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Becoming Dragon: The Transcendence of the Damaged Child in the Fiction of Ursula K. Le Guin.

By Extrapolation

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